My Grand Tour of Europe, 2022

During the 18th and 19th centuries, the sons of noble families often booked a slow journey across continental Europe. Usually traveling with a private tutor, or sometimes even with their families, these very privileged young men would pack heavy trunks, board ships or wagons, and sail or ride to the western end of the continent. For British travelers, this usually meant sailing across the English Channel, then hiring a French guide to escort them to Paris and across the country, through Switzerland, and down to Italy. This was the most typical route, but there were many, and of course Germans and Poles and other ethnicities chose vastly different paths.

The bright red line traces one possible British itinerary.

During this long travel, these well-heeled offspring absorbed culture, admired art and science, and chased local girls, in no particular order. Catholics sometimes pursued different routes from Protestants, though both presumably dragged themselves through a lot of churches and cathedrals, down naves and transepts and apses. It was expected from all the young tourists that they would return home from the journey carrying books, scientific instruments, objets d’art, and other artifacts. Later in life, these items would be put on display to impress visitors with their worldliness. Young painters and writers usually did a much lower-cost version of the same itinerary.

Anyways, this tradition was called the Grand Tour of Europe. More than a few enterprising 18th-century publishers sold guidebooks targeted to these young art tourists, making them the precursors to Lonely Planet, Rick Steves, or Moon. When railroads became widespread across the continent in the mid-1800s, the cost of travel was reduced even further, and the nouveau riche children of the upper-middle classes were able to join in the fun, including young women. Today, it’s even more accessible: new college graduates often scrape together some money to do the broke backpacking thing in Europe for a couple months before moving on with their professional lives.

Unlike those young travelers from centuries ago, I’m definitely not in my twenties, I’m definitely not an aristocrat, and I definitely don’t need to prove my status to anybody. Plus, I already studied the Renaissance liberal arts during a year at Oxford University, I’m paid regularly for my writing and editing in the field of European history, and I have watched a hell of a lot of Anthony Bourdain. So I didn’t want to undertake a European tour for the normal reasons.

But I do enjoy exploring places I’ve never been, usually the more exotic the better, with an eye to writing fiction. Plus, as a digital nomad who works remotely, I’m free to go where I want, when I want. That’s why I decided to undertake my own Grand Tour, sticking closely to the itinerary described above: France, Switzerland, northern Italy, then finally reversing up to England and Scotland. Most of the places were new to me.

I’d meant to do this last year, but planning travel in pandemic-stricken Europe during 2021 was no easy task. It felt like navigating a hallway of buzzsaws. Things were so fluid, borders rolling open, then snapping shut, entry requirements changing monthly, that it was easier just to wait.

Here are a few observations and highlights.

Paris, France

As a metropolis, it’s possibly the biggest cliché in the world. Maybe that was why this superstar primate city honestly didn’t fire me up too much. I stayed in both Montmartre and Le Marais, and the problem wasn’t the food (obviously terrific), or the people (surprisingly friendly), or the attractions (world-class). No, the problem was the scale of the city—bedrooms, doorways, chairs, tables, everything was three-quarters size. I’m not claustrophobic, but there was almost no relief for this 6’2” male with broad shoulders and long legs. I take up room and Paris doesn’t like to grant that.

Also, after traipsing through the Louvre and Versailles and other sites, I started to feel tired. Historical tourism burnout is real. Constant daily visits to crumbling structures make children whine, lower backs ache, interest wane. Unless you have the passion of an archaeologist or professional historian, the sites soon blur together. Personally, I don’t spend more than ninety minutes in any museum, if I can help it.

But don’t misinterpret me. The vin chaud in the streets was delicious and climbing the steps up to the Basilique du Sacré-Couer felt truly iconic. From a literary perspective, even though the city is well-trodden ground, next year I’ll be cowriting a romantic mystery set in 18th-century Enlightenment Paris.

Lyon, France

I elected to spend many weeks here, in a beautiful modern rented condo overlooking the River Saône. It was a good decision. There is much more room in Lyon than in Paris, and it is France’s premier gastronomical city, the home of Paul Bocuse and many other chefs. In the first two weeks, I visited a few classic boucherie lyonnaise to sample the old menu items such as quenelles (fishcakes) and saucisson de Lyon (sausage) and salade de lyonnaise (with bacon, eggs, and croutons). Soon, however, I realized these classic restaurants were all more or less the same, so I switched to modern eateries, such as Breizh Café for the savory galettes.

But my biggest takeaway was that the French really excel at breakfast foods. It’s the pastries such as the Paris-Brest or apricot tartlettes, the many quiches, the terrific breads. Just don’t expect great coffee; the French don’t care to do it very well. There’s better coffee in the United States, no joke.

The city has an ancient quarter with a gorgeous Roman amphitheater, a strong history of silk and weaving, breathtaking plazas with hundreds of people sipping beers in the cold spring nights, and a great network of trams and subways. I even went to my first professional European soccer match, Lyon v Angiers, which was sedate.

One afternoon, I climbed up to the Croix Rousse and accidentally stumbled into a massive political rally featuring Jean-Luc Mélenchon, the left-wing candidate for president of France. I couldn’t understand his speech because my listening comprehension is basement level, but he came in third to Macron and Le Pen a few weeks later.

My recommendation: Go to Lyon and stay for at least a week, if not longer. It’s better than Paris for living.

Vieux (“Old”) Lyon.

Geneva, Switzerland

I spent Easter Sunday weekend here and didn’t see too much because half the city was closed. Yes, it’s mind-bogglingly expensive, and the home of high-end wristwatches, with Patek Philippe advertisements on nearly every corner. But the Red Cross Museum was unexpectedly touching, with its exhibits on humanitarianism and refugee crises. Still, the north wind off the lake was brutal and I can only imagine how rough the winter gets there. The Swiss people felt much livelier than the French people in the previous stop, but that’s probably the difference between a quieter regional city like Lyon and a glamorous international city like Geneva.

Milan, Italy

It’d been 15 years since my feet last touched The Boot. Italians are still Italians – fun, maddening, loud, obsessed with food and drink. I stayed in the Porta Romana neighborhood, near Bocconi University, and the old man at the café on the corner could make the world’s best macchiato in about half a minute. I drank three every morning.

The Duomo is undoubtedly the centerpiece of the city, but the tapestries and art in the Castello Sforzesco gave me a quick thrill of discovery. Strolling the canals in the Navigli district was beautiful. But overall the city isn’t as romantic as Rome, which is like saying an apple isn’t as sweet as high fructose corn syrup. There’s no reason to even pit them against one another. It’s not a fair fight.

At five o’clock every day, I enjoyed an aperitivo, which is the Italian, and Milanese, tradition of happy hour. For seven euros, you get one cocktail and a wide array of carby snacks like pizza, ham and cheese sandwich, etc. If you’re a light eater, it can even serve as dinner.

Recommendation: Head to the Navigli canal district, pick a bar, order an aperitivo, and enjoy top-shelf people watching as the sun goes down.

Negroni + Piazza del Duomo.

Oxford, England

A quick visit to the city of dreaming spires taught me three things.

One, memory decays with time, because I had completely misplaced the location of the Turf Tavern, an old favorite.

Two, young Brits are obnoxious drunks. The drinking scene wasn’t pretty when I was a college kid there, and nothing seems to have changed despite the new alcohol policy enacted by the UK government. They’re loud and sloppy and their bad reputation on the continent is well-deserved.

Three, punting on the River Cherwell is still stressful and overrated. A paddle is a thousand times better than a pole. I will die on that hill.

Recommendation: The leather sofas in the back room of the King’s Arms, which dates from 1607.

The dining hall at Keble College, Oxford University.

Bristol, England

I hadn’t expected to like this city in the southwest of England as much as I did. My coworking space was closely situated to my historic apartment in the old city centre, and the beautiful Temple Meads train station was a quick half mile walk. I went out dancing at nightclubs for the first time in three years. That felt good, so the next night I went out to an energetic rock gig by a young Welsh band in the hull of the Thekla, a cargo ship anchored in the harbor.

Nearby, the city of Bath was a bit of an overpriced tourist trap, which I gather it’s been for centuries, but the Royal Crescent was worth the visit, especially for architecture nuts.

It was only a week, but I’d return here for a longer stay.

The River Avon passing through Bristol City Centre.

Edinburgh, Scotland

I was partly holed up with a bad head cold here, but it wasn’t my first visit anyways. Little needs to be said except that this remains the most atmospheric city in the UK. (Bonus: Stumbling onto Adam Smith’s tomb in a cemetery.) Someday, when I plunge into historical or fantasy writing, I’ll come back here. It’s inspirational.

Fort William, Scotland

This small town in the Highlands serves as a hub for those who are climbing Ben Nevis (the U.K.’s highest mountain, just outside of town), visiting whiskey distilleries, or fantasy fans who dream of traveling to Hogwarts. Let me explain that last one. In the Harry Potter movies, the century-old historic Jacobite steam train stood in for the famous Hogwarts Express. The real train continues to depart every morning at 10 am sharp, burning coal on its way across the famous Glenfinnan Viaduct (also seen in the movies). The seats are packed to the gills with members of Hufflepuff, Ravenclaw, and Gryffindor houses. I was told that Slytherin tends to keep to themselves. I took said train and it was really a special experience. Another experience was a classic high tea at the Inverlochy Castle Hotel, which is about the only thing a normal person can afford there.  

Filmmakers swapped out the sign for Hogwarts Express. It runs April through October; reservations required far in advance.
A classic high tea.

Glasgow, Scotland

All I knew about Glasgow came from stereotypes: impossible accents and druggy poverty. Happy surprise to find out that it’s nothing like that. What I saw was a normal functioning city with beautiful green lush Victorian parks and a strong central business district. There were a lot of clouds and some sun. The highlight was my impeccably stocked Airbnb, with fantasy books, board games, and no less than fifty bottles of liquor.   

Overall, I found several new things to like about the UK.

  • Clotted cream. It’s not available in the US because we haven’t legalized unpasteurized milk. This delicacy sits somewhere between heavy cream and butter, fat-wise. I never really understood scones until slathering them with this stuff.
  • Doner kebabs. Lamb (my favorite), chicken, or veggie—they’re healthy, affordable, and portable. I wish we had more of those options in the US.
  • Parks. The Victorians knew how to make you linger in a way that others don’t.

I also found quite a few things not to like about the UK:

  • The cost of living in London. Even if I’d wanted to spend more than one night there, I couldn’t have.
  • Bad clothing. I’m no expert, but Brits really don’t know how much about patterns or colors. Once I spotted a girl wearing a shirt that was divided in two parts and clashed with itself.
  • Marmite. Holy Christ, one tiny taste had me gagging in horror. It was like eating a rancid bouillon cube.  Be better than that, England.

And that was the end. I didn’t do any writing during this time, as I was busy with other work and tourism. But I did plan in detail a new, large body of fiction – two ambitious new mystery series plus a historical thriller trilogy. Working from outlines is essential for me; as a ghost, I tried “pantsing” (writing without an outline) and it doesn’t really yield the best results, at least not for mysteries. When my travel ends in the next few months, the publishing will return. I’ve learned that it’s one or the other, in my brain.

Anyways, it’s a big world. Let’s go see it all.

$0.99 Sale – The Puerto Rico Pearl

From March 15 to March 22, The Puerto Rico Pearl is on sale around the world for only $0.99!

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Amazon Kindle, Kobo, Apple iTunes, Google Books, Nook (all links US) — no matter what your reading device or store, you can now pick up The Puerto Rico Pearl for under a dollar.

This is a global promotion. New readers in the U.K., Australia, New Zealand, India, Canada, and elsewhere — have a look at the story, and if you like it, spread the word!

The Puerto Rico Pearl has never been discounted before, and remember … it will only last one week. Catch it while you can!

Here’s the story:

It’s hurricane season.

An airplane en route to the States has just been forced to land on the island of Puerto Rico—and onboard is AINSLEY WALKER.

Stranded in torrential rain, she is guided by another passenger towards a rickety plantation house in the island’s tropical interior, where she meets an elderly woman who has lost a precious family heirloom.

It’s a pearl brooch that had once belonged to an actual pirate of the Caribbean—and the old spinster needs Ainsley to find it … fast.

Soon she finds herself on another runaway adventure—one that propels her from wealthy art museums to abandoned sugar mills, from colonial-era cities to buried pirate chests on abandoned naval bases.

Along the way, she discovers joy, pain, friendship, danger, the limits of her endurance—and the fact that things are never quite as they seem.

The Friend Zone

Have you ever read a novel that, when it ended, you could remember more about the best friend than you could the main character?

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There’s a reason for that.

To explain, let me pull back the curtain. Most stories are about ordinary people going through extraordinary situations. In the end, though, they’re still ordinary people. In fact, that’s their appeal. Protagonists tend to be simple vessels for our empathy, and not very much more. This is especially true on the big screen. Matt Damon once said that main characters in movies should be “ciphers”, or zeroes. If you’ve seen or read the Jason Bourne series, then you know it doesn’t get more cipher-y than that. The guy literally has amnesia.

The friends, on the other hand … well, that’s where the spiky human spirit leaps up and shines. A sharp sidekick stands out in a sea of ciphers like a bright fork in a tray of pudding. Because of this, fictional friends often live longer and more intensely in our collective imagination than heroes do.

You can find hundreds of examples of this dynamic in every branch of storytelling. Prince Hal is just a prince, but Falstaff is so vivid that his name has become an adjective. Forget Frodo, he’s a snooze—we remember Samwise’s stolid and servile dedication to his friend. Tom Sawyer is remembered as a generally nice kid, but it’s his friend Huck Finn, that mischievous homeless trashy scamp, who stands out more brightly in our psyche.

All of this means that, very often, friends are more important than the protagonist.

Therefore, if you’re a writer, you’ve got to spend some time in the friend zone.

Some of these friends come prepackaged as archetypes. Say what you want about them, but archetypes exist for many reasons. One, they’re universally recognized. Two, they pop off the page in a way that protagonists don’t, because friends can be their own crazy selves when they’re at the margins of the story. Three, they don’t have to undergo change. A protagonist’s allies often end the journey the same way they began—maybe crude, maybe honest, or funny, or repressed. In fact, you can usually describe their personalities in adjective-noun pairs, such as the narcissistic salesperson.

Here’s an example from television. I dislike Sex and the City for a lot of different reasons, but the series does perfectly illustrate this principle. Carrie Bradshaw, the series’ protagonist, is a cipher. All we really know is that she loves spending money on shoes. Around her is an orbit of three stalwart friends: the intelligent libertine (Samantha), the traditional naif (Charlotte), and the cynical careerist (Miranda). (Note the adjective-noun for each.) Those characters are more memorable than Carrie because they’re defined. Carrie spends every episode trying to find her own identity, but her friends have already discovered theirs.

(As a side note, did you ever notice that the exact same four characters are found in The Golden Girls? The two casts parallel each other almost perfectly. Carrie is Dorothy, Samantha is Blanche, Charlotte is Rose, and Miranda is Sophia. This probably wasn’t an accident.)

One of the bibles of storytelling is  The Writer’s Journey, by Christopher Vogler. It’s one of those books that humbles you. When you read it, you realize that other people, smarter people, walked the path of storytelling long before you ever did. In fact, I’d say this guy Vogler figured out the craft of story better than anybody else I’ve ever read, including the famous Joseph Campbell. His book is a reference point for all writers, in every genre, in every format.

Here’s what Vogler has to say about friends: “Allies do many mundane tasks but also serve the important function of humanizing the heroes, adding extra dimensions to their personalities, or challenging them to be more open and balanced. Allies in fiction suggest alternate paths for problem-solving and help round out the personalities of heroes, allowing expression of fear, humor, or ignorance that might not be appropriate for the hero.”

Perfectly said.

 

Ainsley, the Half-Cipher

Books, however, have different strengths than films do.

It’s harder for a main character in a book to be a total cipher, thanks to interior monologue. The nature of the medium—words, on a page or in pixels—brings us easily into a person’s innermost world. We can hear the protagonist narrating all of her thoughts. Movies and television can’t do that, at least not easily. They have to use awkward devices, such as voiceover. Or the producer hopes and prays that a brilliant actor will sign on to the project.

In the Ainsley Walker Gemstone Travel Mystery series, the protagonist is more than a cipher. If you’ve read any of the titles, you know where Ainsley stands on just about everything that is going on around her–because she tells us! The woman has opinions. This is the benefit of using the third-person limited perspective.

(It’s true that a writer can achieve the same with a first-person perspective, but first-person tends to work best with protagonists who are either a bit whack-a-doodle or outright liars, and with stories that are less plotted. For example, I love Midnight’s Children by Salman Rushdie, but good luck describing that plot to a stranger. There isn’t one.)

So here’s the contradiction: Though we know all of Ainsley’s thoughts, we don’t know much about Ainsley’s background. Even I don’t know much! We only know what she wants to tell us. She’s like the cool French girl you met in the hostel in Amsterdam during your semester abroad back in college and you ended up hanging out with her for almost a week but never learned anything about her personally except the fact that she liked OG Kush better than Super Silver Haze. Ainsley keeps you, me, and the world, at arm’s length.

Think back to the series. Here’s what we know: Ainsley’s father passed away from cancer when she was a girl, her ex-husband disappeared after law school, and she used to be a state track-and-field champion. She’s also had a checkered work history. And that’s it. That’s literally all we’re told. She never reveals anything about her early life—not her birthplace, not her mother, not her siblings, not her extended family, not her education. We don’t even know her real hair color.

And that’s the way it should be. You, the readers, can project what you’d like onto Ainsley Walker. Maybe in the future we’ll all find out, in extremely granular detail, her complicated relationship with her mother, or her deep insecurities, or her turbulent adolescence. But that would remove some of the mystery.

With Ainsley Walker, you are free to fill in some of the blanks.

 

International Relation(ship)s

More than anything, it’s her many friends and allies who help define Ainsley Walker. Let’s revisit a few of them.

Spoiler alert! You may want to skip this part if you haven’t yet read all the Gemstone Travel Mystery titles.

In The Uruguay Amethyst (link: Amazon US), Ainsley befriends an extroverted hair stylist, Sofia, who becomes her travelling companion through the second half of the book. She is assisted by Bernabé, an elderly lecherous jeweler. Both friends serve different purposes. Sofia helps Ainsley accept her new identity as an international traveler, while Bernabé helps her physically achieve the mission.

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Both are static characters. Sofia finds out that, despite her dreams of travel, she is meant to be in the Montevideo hair salon, and no reader can imagine Bernabé being anything other than himself. Their personalities are set in stone. Meanwhile, Ainsley plays the dynamic character as she tries to achieve two goals: one external (find the gemstone) and one internal (find her identity).

But sometimes the peripheral characters are the dynamic ones, and the main character remains static. The Puerto Rico Pearl is a good example. In this book, Ainsley befriends Luis, an unemployed poet and handyman who drives her around the island searching for the brooch. She also meets Orlando, an obese scholar of Caribbean pirate lore who is trying to free himself from his enormous private stash of historical documents.

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This story wouldn’t be the same without either of them—but Orlando is the one who undergoes a significant change. Ainsley remains the same, beginning to end.

In The Spain Tourmaline, however, Ainsley returns to claim the role of the dynamic character, as she slowly must confront her hostility to the killing of animals. First, despite her newfound vegetarianism, she is forced to eat jamón ibérico. Second, she’s forced to watch a bullfight. Third, she’s finally forced to kill an animal.

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I actually wrote this three-step ladder of escalating internal conflict before I knew anything else about the story. Ainsley’s friend, Gabriel, the bullfighter’s assistant, is static. He exists to carry her along this path of self-discovery.

It’s been exciting to discover that my protagonist and her allies can switch between the two types of roles. It keeps things unpredictable. Sometimes Ainsley’s a deep human being, going through wrenching internal changes—see, for example, The Camino Crystal.

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At other times, she’s like Leo DiCaprio in The Revenant, simply battling for survival—see, for example, The North Korea Onyx.

North Korea Onyx

Whether static or dynamic, her allies are just as important to the series as Ainsley herself.

 

A New Idea For Short Stories

Some writers set their series in the same location (say, a small town), and are therefore able to revisit the same cast of characters in book after book after book. Many readers love this, as they get to visit old friends with every new title.

This isn’t possible for my protagonist, since she travels to a different farflung international location in every title. Still, it seems a shame to dream up and portray a compelling friend–and then abandon that character forever after one book.

So I’ve been kicking around an idea.

Maybe it would be attractive to write and publish a series of short stories or novelettes about Ainsley’s many friends and allies? I’m thinking one title for each. It could be a great way for you readers to revisit some of your favorite characters from the series, and it could be a great way for me to revisit them too. Plus it would extend the number of titles in the series.

Keep in mind, I wouldn’t write an entire novel about a side character, because authors sometimes confuse their readers when they start publishing seven different series, all semi-interwoven with non-chronological timelines and characters running in and out of each. At one conference, I’ve actually seen an author put up a Powerpoint of an incredibly complex flow chart in an attempt to explain how his body of work was arranged. (It kind of looked like this.)

This series, however, wants to stay simple. For you, the reader.

Still, I don’t think a smattering of seven or eight short stories would clutter things up too much, especially if the titles are clear and brief, such as “The Basque Chef”. If that’s something you’d like to see more of, or if you have any other ideas, feel free to let me know via the comments below, via email (j dot a dot jernay@gmail.com), or via other social media such as Twitter. I love hearing from readers.

In the meantime, it’s a big world. Let’s go see it all.

[photo credit: Mick C via Flickr]

All Books Are Self-Help Books

Earlier in the year, the sociopathic North Korean regime released video footage of two citizens, a pair of brothers, being interviewed about their allegiance to their state, and especially their allegiance to their current chief sociopath, Kim Jong-un. Both men were citizens of North Korea, both spoke the language fluently, and both appeared content with the direction that their society was headed.

That’s weird enough. The really weird thing is that they are white.

Their names are Ted and James Dresnok. They’re the sons of an American defector to North Korea, James Dresnok, Sr. The Washington Post covered the story here, and the elder Dresnok has been the subject of an excellent documentary, Crossing the Line. I found his story so compelling, in fact, that I used him as the model for William Yaris, a supporting character in The North Korea Onyx.

Part of me, the irrational part, wants to find these two brothers and tell them it’s time to come back to the West. After all, it feels like they belong here—maybe in a garden apartment in Chelsea, in a house in Houston, in a suburb of Toronto. Another part of me refuses to believe the truth. Their lives must be fake. How could two Caucasian men exist in such a xenophobic society as North Korea? In a place that the late Christopher Hitchens memorably described as “a nation of racist dwarves”?

The answer is simple: Their lives aren’t fake. They never were in the West. Those are their true lives, the lives they were born into.

The same way that you and I were born into ours.

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